Works in Progress



Prolegomena
1 No, its not a time machine ____________
2 In summation of, as a ____________
3 As an/ intoducing ___________
4 Pull the doll's string to hear the word 'Commune'
1 1 Presenting reality as a row of idiocyncrases 2 As an introduction to the present as history
As a synopis of, a summation of Foucault's ontology/purview
4 Pull twice on the Doll's string to hear the word 'Woodstock'

Turn around, how did yoou get in here?
There is no front door
Remember, the more often you visit
The less distance one may have/has to travel
4 Pull the Doll's string and hold for 3 seconds to hear the word tetrahydrocannabinol

1 Follow my voice, this way to the back
Through the the dimmest of light
Watch your step, pay no attention to the Essayene
the Sitaar, the statue of Edith Keeler holding hands with Emerson
2 Slap the dummy to your right to hear Tammy Wynette sing
Stand by your Man
Tickle the chin or twist the nose of the next Dummy
Ouch ! That's me.

Push the button on my right hand to open the door to the left
Carefully, up the __________ spiral stairway
The door in front automatically opens,
Welcome to the Telescopes Room
Introducing your Home, the universe.......

__________________________________



Empresario = Repelling marxist tyranny, ( Panj II : Placard : the Proud Boys )
Rising lly above the turmoil, Evoking ( the ooverseers )
none of the above,
Door number three?

_____________________, understand
( I matter, you don't )   (( goes elsewhere ))

1
2
3 Savant, Avatar, Rishi...........Brahmacharyya. Yes.......

( 4-5 words ending in an a . Essencia. Copernica. Ramayana. Mahavira.)
Aurelius. Estarius. Augustus. Lucretius. Emeritus...... = up Utopia, Euphoria )

From subject to subtext to sub_________________
____________________via remote viewing

CaveMan

Exiting my enchanted grotto,
Bats fly out above
Southward into exurbia Ahead, a small, angry crowd gathers
Stares quicky turn to gawking
Take a picture. It should last longer.......

Heading Onwward to (recalibrating my day's journey, reconsidering
to the meat market
while a ____crosses the street, group of ( shakespeare actors ) Pausing to comb my my back while pondering the fates, (niche and nuance)
reading the new /detours sign to my right
prehistoric teeth, brow, prounouned, feet Being one of the untouchables,
Social distancing comes all too naturally

Being not quite human and thus having no nemesis
I am thus free of 'bad luck' and able to better navigate the _____________
Continuing on under the auspices of a daytime waxing swest cresent
Jeers begins from another angry crowd, forcing me to hear
'missing link, missink link! "
Named most likely to never reproduce by Ape and Antler Magazine
Nominated for abnormal of the year by Bizzare magazine
Never to appear in a Normal Rockwell..... Without dancing skills,
one must compensate via mime or juggling Entering the market area,

With mask in hand ,
3 by/from my ____________ polite/exemplary carbon foot print
4


Returning homeward, by/noticing/ quicky gazing ____ / by the aboretum
Passing by the ovresized sundail,
Pauing, gazing down the tree line
One day to find the portal that I cam through year ago



1 Picking up my pace, ( remembering, recalling
chewing on damiana and ginseng
3 Forgoing an appearance on Paleo Dating Game
That I my audition for a role in the next Barbie Movie

1 There ahead of me, a billboard
Reading " Now Showing, the hit Movie of the year, 'CaveMan !!'
Overwhelmed with a trickle of pride and joy
All I can say is.............
Ugh, Ugh, Grunt, Grunt, Ugh............

1Returning to my cave,
2 Noticing/glancing on the wall a dozen pics of swimsuit miss cromagnon and miss neanderthal
3 Such are the ways of a misfit, an outcast, a nobody
4 Such is the life of a life of a hermit, a troglodyte, a CaveMan

________________________________

3 Not the Park
2porting my new Club

m. bull, brow, prehistoric feet, shoestore, Never, often confused with _____________

II while realizing / re ___________ ,u agenda, weekly __________________________________________________

" "

"The lunatic is on the Grass
- Pink Floyd "unamed Piece" / Krakenspeil/Act One, Scene Two ' Lunatic, PF ' = Kraken

1 Being misperceived
2 3 4 Deposit 25 cents to have the author transported to a barnyard corral

Deposit 50C to end this and instead begin watching your favorite movie

Depost 75 cents to be transported back to a time before Writing


Deposit any amount to insted of this, watch your favorite Movie !

_________________________________________

Soiree

Freed from its apriori grip, staying one step ahead of the curve,
hueing toward immaculation **, )ut of place = a choir sings in the distance, pivoting on a set of variables
meaning trumps value. Again on the existential* hunt, ________________ the elusive norm
, the relative and the absolute merge for one moment, as
anomalies gather around the empirical axis, creating the basis **

ing a _____________,
for an ingression of ____________
, Resulting in a confluence of resplendent ideas.

II Counting backwards, from coincidence to coincidence,
from blessing to the miraculous, skirting mediocrity by ( Down or up )
, alpha assumes the role of delta. **
___________ supercedes ______
Line 3:
Far in the woods, a tree falls, yet no one hears, yet the tree still falls.
Eradicating two centuries of pendantical pedagogary. New string=
_____________ for/with/from a more robust ______________
V= All for an unpredicted reunion of exquisite/ concepts.

______________________________

II Gathering around the fasting table, to celebrate the ____________ *** =

dividing , elaborate, highbrow, of a month long Diwali,
Imagination rules the ________
scent=

_________________________,
2 Wavering in and out of translation, accruing symmetry by ______________,
pivoting on a new set of variables/
N= ( pattern **, ______________ )

____________ negates _________________
revealing _________ as _______
to be,
Nound= cathexis or the existential axis,
mythica, the most noble
producing out of nowhere an ____________ lattice, inviting a swarm of diverse opinions
Resulting**/ Culminating in an auspicious confluence of abstruse concepts.

dividing , elaborate, highbrow, of a month long Diwali,
Imagination rules the ________



_______________________________________

Brahamacharyya

1 Sitting or standing, receptive to all incoming multidirectional joys
in the true spirit of Vivarta
2 Attaining near cathexis, forming yy with the wonderous
The __________________

Boddhichitta

3 _______free of discord
4 .Pranayama

2 in this spirit of Essayene
1/2 _the Haimavati descends lly opon the ___________
the mystical Godavari
3 4 Jyotish,   in full yellow



the eye of Krishna, under the aupices of

1
To see oneself in others and to see others as we are

Such is the goal of the __________________ 3
Thus, ________ Brahamacharrya/i
2 May the /your subjective truths / as I am
May you find the world half as interesting as I 3
4 May your be as content with out differences as am I

_________________________________ Ataraxia

To decrease the amount of chaos


_______________________________

The Hooded hours

aria, ecstasy, -permeates , essenense, aura, and hologram merge
Moondrops _____________________
Thre words.
_________________________________

Opus Abraxas

Thrice removed from ( lassitude, inertia, excess
Gathering qualia from all directions,

Both sides of Thunder and Lightning
Valhala
the glass bead symphony

____out of nowhere
astral ink

Halfway to ____________
the metallic arts ( SS )
the stratosphere
tantric
abnormal

In praise of the overseers
1 2 3 Thus spake ______________ Every _____________________a portal
Every ___________________ an oracle
Eveery ______________ an Altar

Thus spake A __________

____________________________________



Soiree 3

Freed from its a priori grasp, staying one step ahead of the curve,
fusing intelligence and instinct, hueing toward immaculata **, celebration
____________________, NOUN= meaning superceeds& value.
Ingrained in, entrainted to / by , altering the ratio of
variables to constants, exhibiting _________________
pivoting on a set * of intangibles, repelling both mediocrity and inertia **,
dividing yin into yang, explained again by the gestalt (III )
producing a/the _______________________<
all for a reunion of exalted*, resplendent ideas.

II

Counting backwards, wavering/moving in and out of translation,
creating a backdrop, ephemeris , a second ____________, axis
, bounced off the existential present, ,
accompanied by a swarth of paradox, NOUN=
becoming more cinematic with each _____________,
___________ after / augmented by a runaway cathexis, illustrating subrosa,
the power of silence ( art and )
( UP )accuring symmetry via ________________________
, resulting in a
All for / Ciulminating ** in/for a confluence of abstract concepts )

III

Behooved/Enriched by 1000 years of philosophy, gathering** the necessary illusiions
" by a trailing ontology, experimenting without a categorical imperative
________________ turns to Opus. by the sounds*8 of tires rolling down the highway
contrasted and balanced by the pedantic __________ of rendevous, in with a mathmatical nexus, all for the , culminating in a virtual meeting of the minds

________________________________________


Soiree 4

Above, beyond, or below inverting the detecting movement across the grid the disappearing norm idols in the twilight oblique to its double straying into a rougue zeitgeist rejoining one's hologram via/at /along the existential axis 1 2Avoiding the superficial, glancing the stain of opinion, II Allowing sound * to turn to color, watching the gyre on the existential hunt ** N= past ____________ s future, OR with grace in the details detecting ,'mexnt ???: acrosss the grid All explained by a confluence of epistemes and constructs III the dummy / decoy praxis / plexus ___________________________________ ONE Reticent to a categorical imperative, repelling any mediocrity Orbiting its projected symbolism skirting a /the of opinion , Staying ahead of the curve, ( one ________ ) On the cusp of Trading for serenity, yang into yin, dividing " Validating Encountering Illustrating the / a concurrence /reunion of ideas II Freed from its a priori ________________ (up) Moving in and out of chronology/symmertry (UP) reflecting perfectly the beauty of recoiling in relative repose hearing several octaves ascend III 1 2 of a trailing ontology Trading for toward a confluence of ideas/ III avoiding a nihlism around the fasting table for a virtual meeting of the minds